The Following Information is From Wikipedia
1953-1957: The Swollen Story: World Cinema Bursting at the Seams
- Rebel Without a Cause (1955) dir. Nicholas Ray
- Heavy emotion
- Cairo Station (1958) dir. Youssef Chahine
- First great African and Arab film
- Captured tension and sexual repression
- Paper Flowers (1959) dir. Guru Dutt
- beam of light
- Camera tracks around the beam
- woman lit from below
- Raja Harishchandra (1913) dir. Dadasaheb Phalke
- superimpositions
- Sant Tukaram (1936) dir. Vishnupant Govind Damle and Sheikh Fattelal
- Pather Panchali (1955) dir. Satyajit Ray
- nonprofessional actors
- texture in the cinematography
- Devi (1960) dir. Satyajit Ray
- actress filmed as if by candle light with her face down
- stress on eyes and framing
- Mother India (1957) dir. Mehboob Khan
- close ups on hands and feet
- Two Stage Sisters (1964) dir. Xie Jin
- camera tilts down then cranes down
- “From a gods eye view to presents”
- Ikiru (1952) dir. Akira Kurosawa
- Camera zooms out to ask where the man fits into the world
- Stray Dog (1949) dir. Akira Kurosawa
- Seven Samurai (1954) (introduced in Episode 4) dir. Akira Kurosawa
- “a film set in the past echos in the 50s because its about the beginning of a new era”
- Throne of Blood (1957) dir. Akira Kurosawa
- lady macbeth filmed like a ghost
- The Godfather (1972) dir. Francis Ford Coppola
- The Magnificent Seven (1960) dir. John Sturges
- Limite (1931) (introduced in Episode 4) dir. Mário Peixoto
- soaring camera expressing a woman’s liberty
- Rio 40 Graus (a.k.a. Rio 100 Degrees F.) (1955) dir. Nelson Pereira dos Santos
- starts with large ariel shots then goes to the ground
- follow a few kids walking to a spot and then focuses on two adults behind them after they leave
- multiple storylines
- The Life of General Villa (1914) dir. Christy Cabanne
- Doña Bárbara (1943) dir. Fernando de Fuentes and Miguel M. Delgado
- feminine suffering
- men photographed against the sky
- The Wild Bunch (1969) dir. Sam Peckinpah
- La perla (1947) dir. Emilio Fernández
- muscular storytelling
- luminous with deep space
- dark human themes
- Los Olvidados (1950) dir. Luis Buñuel
- High contrast film stocks
- dream shot in slow motion with wind in a bedroom
- All That Heaven Allows (1955) dir. Douglas Sirk
- showed Eisenhower’s Ideal America
- Imprisoned by the TV
- I’m a Stranger Here Myself (1975) dir. David Helpern
- Johnny Guitar (1954) dir. Nicholas Ray
- Political message
- Characters wearing black represent villany
- Fireworks (1947) dir. Kenneth Anger
- scene shot silent and from below
- Scorpio Rising (1964) dir. Kenneth Anger
- Masculine costumes combined with bodily close ups, low level lighting, and fetishism
- Marty (television show) (1953) dir. Delbert Mann
- Marty (1955) dir. Delbert Mann
- On the Waterfront (1954) dir. Elia Kazan
- Real emotion
- Red River (1948) dir. Howard Hawks and Arthur Rosson
- old cinema vs new cinema
- Touch of Evil (1958) dir. Orson Welles
- filmed with wide angle lenses to make the image bulge
- The Searchers (1956) dir. John Ford
- Vertigo (1958) (introduced in Episode 4) dir. Alfred Hitchcock
- pov shots
- Rio Bravo (1959) (introduced in Episode 5) dir. Howard Hawks
- Great Expectations (1946) dir. David Lean
- Lawrence of Arabia (1962) dir. David Lean
- O Dreamland (1953) dir. Lindsay Anderson
- Battleship Potemkin (1925) (introduced in Episode 3) dir. Sergei Eisenstein
- working class portrayed as noble
- …And God Created Woman (1956) dir. Roger Vadim